Jeanine Thames as Violetta provided a full, rich and buoyant soprano role, which never flagged through a relentless range of expression from start to finish – much of which she ends up singing from the floor. Her transition from giddy party girl to a more serene and contemplative woman, despite being necessarily abrupt, was smooth and convincing. Her most rivetting expressions, however, came as she further progresses through anger, grief and finally, despair, confronting her ultimate fate.
The Record – Kitchener-Cambridge-Waterloo
—The Record
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